About a year ago, on the very angsty eve of my 38th birthday, a song I had never heard before, but which was apparently a new French chart-topping hit, lifted me out of my malaise. It was called “La Pluie,” and Spotify fatefully served it up to me at the exact time when I needed it most. Buoyed by the words and the music, I listened to it about a hundred subsequent times while walking around Paris, which more often than not was fittingly rainy. By that point, I was just coming out of what had felt like a bottomless well of depression and anxiety. I was in the middle of battling a health issue that would require a hospital procedure to resolve. And I was staring down my persistent French underemployment, my dwindling bank account, and my lack of any clear direction. I was finally beginning to accept the inevitability of returning to the United States to become financially solvent and figure out what to do next.
“La Pluie” wasn’t responsible for my unexpected pivot from dread to beatific acceptance, but it was while listening to the song that I realized the change had already happened, and I felt a kind of aching serenity wash over me – sadness and hopefulness at the same time. Also silliness, because for French rap to inspire such profound feelings is ridiculous.
I went to see Orelsan at Irving Plaza in New York a couple of weeks ago because I wanted to revisit that absurdly intense period of my life and the emotions that – even though often highly unpleasant – had made me feel so alive.
I suppose I set myself up for disappointment. I should know by now it’s impossible to recapture the past, especially when you’re trying. Orelsan played “La Pluie” in the first half of the show, and it somehow didn’t hit the right notes, so the trip down memory lane I had wanted to take instead turned into five seconds of full-fledged emotion followed by another minute or two of trying unsuccessfully to force it to stick around.
The rest of the show I just took it all in without trying to make it something it was not. Yes, the place was filled with more French people than I have ever seen gathered in one place outside of France. But they did not make me feel the way I did in Paris. There, I felt like an outsider but in an intrepid and exhilarating way. At the show, I felt like an insider rendered an outsider by other outsiders who lost their caché outside of France. I don’t know how to adequately express it except to say that when Orelsan led the crowd in a call and response complete with a lot of ’90’s era hand waving, “Quand je dit Irveeng, vous dites Plahzah. Irveeng? Plahzah! Irveeng? Plahzuah!” I both smiled and flinched at the awkwardness of it all.
So it wasn’t a transcendent night, but it was still a lot of fun.