It’s my last weekend in Senegal! I am feeling sort of bereft. Last night we were searching out a place that Google Maps had pinpointed exactly but that neither GPS nor the actual layout of the streets would allow us to find in real life. Par for the course. My friends called out to me from down the sandy, silent road – they thought they had figured out the way, while I was busy scoping out another direction – and as I was running to catch up to them, something caught in my throat and my inner voice shouted out at me, “STAY! YOU ARE LEAVING TOO SOON!” But alas, it will always feel too soon, and I’ve got compelling reasons to go exactly when I’m going.
One of those reasons – a small but not insignificant one for someone in my line of work – is that I am in the midst of a full-blown movie drought. Considering that I am in the land of Ousmane Sembène, the most famous African filmmaker, it is really strange that there are no honest-to-goodness movie theaters in Dakar. Apparently the last one closed in the 90’s or early 2000’s. Instead, there are small screening rooms, like the one I went to at the French Institute (pictured above) to see a documentary about the way that rumba on either side of the Atlantic has cross-pollinated with the other side. (Perfect subject, mediocre film.) There is also a full-sized movie screen in a supposedly temporary inflatable structure near the shopping center on the waterfront.
I tried going to the movies there the few times they looked good enough to bother. The first couple of times were fails of my own doing. The third time, there were “technical difficulties” and they told me to come back the next week. The fourth time was the charm, and I saw “Fences” there the night before the Oscars. But it was hard to hear the dialogue because the structure kept making weird sucking noises and expanding and contracting like it was breathing. A pretty subpar theatre; I hadn’t been missing much by staying away.
Meanwhile, the films they play on TV are either terrible and/or overdubbed in French, which I find impossible to watch. (My theory is that since I rely a lot upon lip-reading to understand French, my brain gets hopelessly confused when watching people whose mouths don’t match the words coming out of them.) And I can’t stream movies on my laptop in my room because of my horrible Internet situation (which, by the way, I’ve realized is a product not only of the slow wi-fi in my neighborhood, but also of the very thick walls in my building. I may just have the worst Internet connection in town.) Thus I’ve seen a grand total of exactly four full movies in Senegal. By contrast, I probably saw 100 the previous year.
So, I am leaving Senegal too soon, but I also can’t get back to movies soon enough. I am so excited to catch up on all that I’ve missed and to watch some new releases in one of my favorite New York cinemas.
Now… switching abruptly to your weekend reads, and flailing for a transition. How about, you are excused from reading these if you go to the movies instead?
Enjoy your weekends!
Apparently in France I may be heading towards exactly what I was running away from in New York: the creeping big-boxification of urban spaces.
“Everybody, let’s tighten the anus,” is apparently a Korean folksong, and you can watch a video of its performance, with delightful subtitles. (There is also a link to a research paper about its social and cultural meaning!)
Well, this is a relief for someone like me, who takes forever to spit out her thoughts: fast talkers and slow talkers end up conveying the same amount of information in the same amount of time.